In this installation, I place my body within a visible structure. The viewer is no longer observing an image, but encountering a body within space.
This marks a shift from image-making to constructing relationships in space.
Using sensors and real-time visuals, flowers react to the viewer’s presence by blooming, rotating, or dispersing.
The image becomes a temporary state, dependent on the viewer’s movement.
These early tests explore the instability of images through transformation, dispersion, and recomposition.
The work begins to move away from representation toward generation.
The projection expands beyond a single surface into the surrounding space.
The viewer no longer faces the image but enters into it.
Memory is not something to represent, but something that remains and transforms within the body.
The work approaches this unstable presence.
A field research in Hualien will focus on oral histories, sound, and landscape as carriers of memory.
This will inform future spatial and visual translations.